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Trombone
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9.28.85
Trombone
Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. …
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Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchinâs book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as heâs a wonderful musician, anything is possible, heâs open to trying out new ideas and heâs a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited âwindowâ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. Heâs able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between âtsâ and âtshâ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really âspeakâ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
$7.99
7.46 €
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Trombone
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Drake Mabry
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9.28.85
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Drake Mabry
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SheetMusicPlus
Good King Wenceslas Theme And Variations For Solo Jazz Trombone
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.839405 Composed by By John Mason…
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Trombone Solo - Level 4 - Digital Download SKU: A0.839405 Composed by By John Mason Neale And Thomas Helmore. Arranged by Bobby Hesch. Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5891579. Published by Bobby Hesch (A0.839405). GOOD KING WENCESLAS THEME AND VARIATIONS!!! A CLASSICAL CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! LOTS OF TECHNIQUE!!! CHALLENGING!!! FUN TO PLAY!!! BRIGHTLY SHONE THE MOON THAT NIGHT!!!LET'S PLAY SOMETHING CLASSICAL!!! KEY OF G!!! LOW F# - HIGH D!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com, IG : @bobbyhesch
$4.99
4.66 €
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Trombone
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John Mason Neale And Thomas Helmore
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By John Mason Neale And Thomas Helmore
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Bobby Hesch
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Good King Wenceslas Theme And Variations For Solo Jazz Trombone
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Bobby Hesch
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SheetMusicPlus
Stacy’s Successful Studies for Trombone
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.792506 Composed by Charles Stacy…
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Trombone Solo - Level 4 - Digital Download SKU: A0.792506 Composed by Charles Stacy. Arranged by Ira Nepus. 20th Century,Instructional. Individual part. 53 pages. Gordon Cherry #4988433. Published by Gordon Cherry (A0.792506). Charles Edward Stacy was born near Dayton, Ohio, March 1873, and passed in the year 1926 in Long Beach, California. His last employment was with the Long Beach Municipal Band. These books were first published in 1916. Besides trombone playing, Stacy had a passion for aviation and invented something to do with stick control for flying smaller airplanes. He was regarded by his peers as a pioneer in aviation. These three marvelous books Stacy completed are now available in one volume. This will help perpetuate Stacy's legacy and keep trombone players all over the world improving their practice and quality of their playing for years to come. Please acknowledge the tempo markings; and rest in-between each exercise. The slower you play some of the pages, the more benefit you will reap. It is my privilege to share them with you now. Ira Nepus
$22.50
21 €
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Trombone
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Charles Stacy
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Ira Nepus
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Stacy’s Successful Studies for Trombone
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Gordon Cherry
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SheetMusicPlus
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